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Miss Murgatroid & Petra Haden

 

Hearts & Daggers

 

The New Album - Coming Soon!

 

The love affair continues.  Like two schoolgirls living richly in a self devised world of cave trolls and tormented princesses, Miss Murgatroid (aka Alicia J. Rose) and Petra Haden mesh their collective imaginations to deliver majestic themes culled from the ether itself.  Reuniting after more than a four year hiatus, Miss M and Miss Haden convene anew for another bout of ebullient sonic symbiosis.

 

Their last effort, Bella Neurox, met with critical acclaim and delighted fan frenzy.  Their simple but unique combination of accordion, violin and voice delved into waters deep and strange, with a mix of vocals and instrumentals that transported the listener to eerie dark alleys, lush Italian seasides and to the false bottoms of haunted toychests. 

 

Their newest effort ­ Hearts & Daggers, offers 9 new tracks of absolute symphonic loveliness.  But it’s the story behind this new recording that gives it such heart.  In 2000 Petra Haden was the victim of a brutal car accident, winding up in a coma and with major injuries. Without any medical insurance, the music community on both coasts banded together to perform a string of benefits to help her with her recovery and her bills.  These benefits included performances by Beck, Tenacious D, her brother Josh Haden (Spain), Stephen Perkins, The GoGo’s, Vincent Gallo, Sean Lennon, Miss Murgatroid and many more.  With the love and support of her friends and family, Petra made an astonishing recovery and by 2003 was back at work creating her own music and collaborating again - her talents only strengthened by her fateful and trying past. Remaining good friends throughout this tragedy, Miss M and Petra talked often about reuniting, but distance (Petra lives in Los Angeles, Miss M in Portland), circumstance and finance made this less than simple. 

 

In 2003 a mysterious and anonymous benefactor approached Miss Murgatroid about reuniting with Petra for a follow up to Bella Neurox. Apparently he had written his last 2 books while listening to their collaboration as well as to Petra’s fantastic solo disc Imaginaryland and to Miss M’s spooky and surreal Through Alien Empires.  He offered to help the duo make their next record with the honest motivation of simply wanting another one.  The girls agreed, and now they are sitting on 9 new gems of fanciful delight.    Fueled by mutual heartache, spectral visions, grandiose baroque fantasies and their undying fondness for one another’s brains, Miss M and Petra have truly outdone themselves.  Layering vocals, violin, viola and accordion in ways that will utterly enchant and intrigue the listener, this is a true labor of love that defies as many genres as it is influenced by.

 

Daughter of legendary jazz bassist Charlie Haden, Petra was formerly in girl pop sensations that dog and has worked with many fancily panted superstars - Beck, Luscious Jackson, The Rentals, Cibo Matto, Sean Lennon, Foo Fighters, Spain, Victoria Williams and Better Midler amongst others.  Most recently she released a duet record with jazz great Bill Frisell and is working on a vocal trio with her 2 triplet sisters Rachel (also of that dog) and Tanya called The Haden Sisters.  Miss M has spent many years berating innocent bystanders with her accordion and her acerbic wit, releasing 4 albums and charming the pants off of accordion naysayers everywhere - though recently she has taken to scoring films and writing avant-rock operas.  She is out of reclusion.  Finally.

 

Due to the generosity of their mysterious benefactor, they have made this record but have yet to choose a label to release it.  Suitors are welcome to court these winsome ladies.  Email duoneurox@aol.com if you are interested in such a thing.

 

This reunion of sorts is unbelievably epochal to both of them and the release of Hearts & Daggers is almost upon us.  Currently Bella Neurox cover artist ­ Christine Shields ­ is hard at work crafting a fabulous painting that involves an army of angry princesses storming a flaming castle.  Oh what a delight!

 

 

Press quotes:

 

“Petra Haden's uncanny vocal harmonies and graceful violin are two of the best about That Dog, a Los Angeles pop combo also featuring her twin sister Rachel. On her first solo project Petra loops together interlocked vocal strings that "ahh," "la-aa" and "tra-la-la" in such a childishly engaging manner that it'll melt years of cynicism off your slimy trunk. Primarily an a capella venture, Imaginaryland pops in a few numbers where Petra plays violin and viola, as on her father's slippery composition "Song for the Whales" and on a cover of Enya's "Watermark." Even though most of the album has the feel of a hypercreative kid bubbling away into a tape recorder between classes, Petra is obviously well-schooled (her father is Ornette Coleman bassist Charlie Haden), as her take on a Bach choral piece and the transformation of her bouncing-ball vocalese into alluring and hypnotic madrigals ably demonstrate. If your eardrums (and patience) wear thin from too many guys with guitars, Imaginaryland could be the aesthetic panacea you've been looking for.” --John Chandler, Amazon.com

 

 

“Portland's Miss Murgatroid sings in a low, lush keen, and plays cryptic melodies on her accordion. Her instrument sounds modern and artistic as it crackles through her amplifier, but also channels magical mystery and musty witchery, as if the instrument itself has an historic memory. Bella Neurox, her 1999 record with immensely talented violinist Petra Haden, is still one of my favorite albums of all time.” -  Portland Mercury

 

“Violinist Petra Haden and accordionist Miss Murgatroid (née Alicia Rose) make a startling duo. Rose's accordion sounds church-organ big in some parts and then like the fiercest '60s-era electric keyboard in others, while Haden, formerly of That Dog (and the daughter of jazz bass virtuoso Charlie), wields a beautiful tone, terse but rich. Certainly some of the unrest originates in Rose's unorthodox take on her instrument, which she plays with a touch of Pauline Oliveros' sense of tuning and intonation but a far larger sense of volume and intensity. Her sounds, elongated or clipped, gritty or soaringly clear, are aided by an array of pedals and effects. It's far more than intriguing and much more intense than intimate. This is a wonderful recording.” --Andrew Bartlett, Amazon.com

 

Email: duoneurox@aol.com